
When outspoken art critic Jerry Saltz took aim at the art world’s lack of women artists included in collections, calling out MoMA for its embarrassing percentages of art by females, he imagined a scenario in which the museum could forget about their old master narrative of art history and, for a while, they could display a sign that read, "Pardon our appearance while we remove the stick from our asses, discard our atavistic linear idea of art, and lay out more of the whole story.”
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