
British sculptor and visual artist Marc Quinn has an enduring fascination with the mutability of forms. Every five years, he sculpts a self-portrait from his own frozen blood as part of an ongoing exploration of his body's evolution, titled Self. Between 2005 and 2007, he worked extensively on a series of marble sculptures depicting amputees and those with born with missing limbs – culminating in one of his most famous, and controversial, works Alison Lapper…
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