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Who? Henri Cartier-Bresson, a practitioner routinely described as the world’s greatest photographer, did not favour one kind of subject matter over another. Instead, he occupied himself with trying to capture the moment when “life offers itself” to the photographer – whether that be the split second before the heel of a jumping man’s shoe hits the water, or the spinning blur of a wheel in motion. What's more, he established the well known photographic trope of the "decisive…
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