"For me Bowie had the best covers. I love the morphing between an animal and a person, to create something romantic but also very fantasy, a little bit weird." The spirit of this project is of the moment and roughly hewn. "I didn't want it to be a whole production or to look too much like an art directed number," Philo explains. So she took it apart, cutting up and elongating parts of the body, playing with effects and giving the piece a touch of the hand. "I just wanted to capture that…
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