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“Poison Ivy, a golden harem sphinx, a sheen of perspiration over her alabaster body. Sweat streaks her guitar as she plays keen bloodnotes. The songs are of decapitations, transmogrifications, psycho frenzies, invading saucermen, voodoo, and pussy. Always pussy. It’s a smoking, fuzzy, wild sound, full of an intensity that lies halfway betweebn sexual stimulation and demonic possession.” So wrote Jas Obrecht in the pages of Guitar Player magazine in 1990: 14 years after The Cramps…
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