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Photographic Portraits Made by Russian Surveillance Cameras

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A strangely hollow greyscale face gazes out eerily from the cover of Adam Broomberg and Oliver Chanarin’s most recent book, Spirit Is a Bone, occupying the liminal space somewhere between an X-ray and a photograph. Its anonymity is very deliberate – the image was created not with a normal camera, but with repurposed surveillance technology usually employed by the Russian government, where it compiles images from thousands of snapshots taken on street corners and in…

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