At the start of the 1960s, emerging British artists such as Bruce McLean and Richard Long began resisting traditional art thinking by creating works in which the focus was placed on concept and ideation, as opposed to form or beauty. This critical shift is newly explored in an insightful new show at London's Tate Britain, titled: Conceptual Art in Britain 1964–1979. Comprised of experimental photographs, prints and large-scale installations, the exhibit charts the…
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