
The sun is shining on Turkish artist Bahar Yürükoğlu’s long ice-white nails (“they’re real”) and day-glo pink lipstick as she sits in a café terrace on Istiklal Caddesi, the busiest street in Istanbul. On the other side of the street, a man is selling bubble blowers. A few doors down, an installation of flying lozenges, plexiglass parallelograms and other neon shapes distracts passers-by.
Titled Plexiberg, the installation stands at the entrance of Bahar’s…
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