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What are the assumptions tied to the manmade and the technological? And is it possible to delineate these, to break down the values assigned to them – particularly within regard to the realm of fashion? These are the central questions raised by The Costume Institute’s new exhibition, Manus x Machina, which previewed to the press and of course, the global glitterati, at the Met this past Monday; questions that the show seeks to dissect through some 150-plus “case studies.”…
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