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When Charles Pétillon and I sit down to talk over Skype – a gossamer-thin wifi signal connecting us from Shanghai, where he’s setting up his new exhibition, to London – he’s struggling to come up with a name for his newest installation, a piece he is creating uniquely for the city’s Magda Danysz gallery. It’s understandably a difficult process. "It will be a spiral," he explains to me in heavily accented English. "I would like to talk about the evolution of Chinese society –…
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