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If there’s one thing that the surrealists were masters of, it was juxtapositions: tantalisingly uncanny combinations of objects, which might reveal the secret desires of our unconscious. From Dalí’s Lobster Telephone, to Meret Oppenheim’s fur-lined teacup (Le Déjeuner en Fourrure), their tongue-in-cheek assemblages eluded fixed meanings, seducing an array of fetishist, Freudian, and feminist readings. Forever drawn to such surrealist concoctions, Paris-born and raised…
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