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In the wake of Brexit, a lively new exhibition curated by Flora La Thangue at London’s Beetles + Huxley gallery charts the ways in which photographers over the past century have perceived British culture and society – its customs, politics, fashions and music. Satirically titled An Ideal For Living, after Joy Division’s debut EP, the exhibition presents a roll call of 29 iconic documentary photographers, including the likes of Emil Otto Hoppé, Cartier-Bresson,…
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