
From its very inception in 1915, the Dada movement has always been heavily influenced by non-European cultures. It was founded in the Cabaret Voltaire, Hugo Ball’s infamous Zurich nightclub; an institution run by a group of anarchic artists and writers who met for soirées of radical music, spoken word and masked dance performances – rituals that reenacted African ceremonies – designed to push the limits of the performers and their audiences.
The First World War, too,…
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