One of the successes of the Rencontres d'Arles – the annual festival of photography – in 2014 was an exhibition curated by Christian Lacroix on the subject of l'Arlésienne, the eternal (and unattainable) paragon of the region. It was a strange show, mixing historical and contemporary documents under the baroque ceiling of one of Arles' many chapels, high art and low. The majority of the works shown were by Katerina Jebb: some conventionally presented on the walls, but also…
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