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For Cécile B. Evans, there is no border or difference between life online and offline. The progressive artist’s practice covers many of the cultural tropes that embody contemporary life – our relationship to technological interfaces, the idea of identity in a changing digital landscape, and the pop cultural ephemera that makes up the everyday. This manifests as a variety of “hyperlinked” works that range from animated videos, sculptural objects, online spambot projects,…
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