Eva Stenram examines the act of looking at photography by digitally cutting up existing images – taken from vintage pornography and erotica – and rearranging the original photograph’s compositions so as to unravel its visual cues. Stenram places herself in the same position as a viewer: she has no direct contact with the women who appear in her works. This once-removed relationship to her subjects allows her to explore how we see photographs of women, and therefore reveal…
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