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In 1984, reeling from the critical and commercial flop of his most recent film, an adaptation of the Frank Herbert novel Dune, David Lynch vowed that his next project would be a strictly “personal” endeavour that would in no way compromise his artistic vision. The result was his 1986 masterpiece Blue Velvet (for which he accepted a lower salary on the condition that he had final cut), a film widely considered one of the American auteur’s…
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