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“But then of course, I’m free, white and 21,” declared Howardena Pindell in her unflinching spoken word performance at New York’s Museum of Modern Art in 1980. In this deeply political short piece, the African-American artist speaks both as herself and in the disguise of a white, blonde woman, detailing the racial abuse and white privilege that she encountered from school to adulthood. And it is this deeply affecting performance which formed the inspiration for curator Jemma Desai’s…
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