
The fashion show, we’re told, is the height of expression: a fleeting moment of creativity and movement that creates a context or a rationale around clothes that will perhaps eventually hang on a clinically-lit rail in a boutique, and if they’re lucky, on a hanger in someone’s much-loved wardrobe. A new book celebrates the spectacle of the best shows, from an editor who was at the centre of it during the golden age of spectacular fashion theatrics: the 1990s. Alix Browne,…
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