Bret Easton Ellis and Alex Israel’s Musings on LA Culture

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Two vast paintings the size of cinema screens adorn the front-facing windows of London’s Gagosian gallery on Davies Street. “Can 50 million people be wrong? Probably,” one asks, and answers itself, in bold white capitals set against a crimson, spotlit stage curtain. Its deep blue pendant shows a row of small stage lights, which cast long beams in different directions. Across its centre is written: “‘This isn’t a real relationship,’ she told him shrugging. ‘It’s show biz.’” In a world where…