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Are white curators able to fully represent the cultural messages in art that mediate black experiences? This was the question that loomed over Fondation Louis Vuitton’s latest exhibition, Art/Africa, which opened at the colossal Gehry-designed gallery in Paris this week. It was heartening to see, when we visited the exhibit on Tuesday to preview the show, the Fondation had approached this question with the urgent dose of self-awareness required when…
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