Deconstructing Michael Haneke’s Existential Happy End

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Only a handful of directors can call themselves a winner of the Cannes Film Festival’s coveted Palme d’Or. Francis Ford Coppola took one home in 1979 for Apocalypse Now, while Martin Scorsese grabbed one for Taxi Driver in 1976. The Austrian arthouse auteur Michael Haneke is also included in the illustrious list of recipients, winning the award for the cold, complex pre-war drama The White Ribbon in 2009, and then again for his story about the duty of lovers and…

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